I have been making Easter eggs since early childhood. In my family home, Easter eggs were made using the batik technique. In the older grades of primary school, I came across the technique of scratching out Easter eggs and used it for several years. Over time, I began to paint patterns with pastels and fix the colors with varnish. I did not copy folk patterns. First, I scratched and painted flowers from herbariums, creating my own compositions, and then I started painting liturgical symbols, figures of saints and book illustrations, especially fairy tales. It was then that I began to look for a new technique that would give me more artistic possibilities. I used acrylic paints. Currently, I treat eggshells as canvases: I prime with light or dark paint, draw a sketch, cover it with light beige, and then make a detailed sketch with light brown paint. The next phase is coloring and shading. I cover the finished Easter eggs with a triple layer of varnish, which not only gives them shine, but also brings out the depth of colors. The acrylic technique has many advantages: paints and varnishes dry quickly, are odorless, you can work in a small room; mixing paints gives unlimited color possibilities; the colors are waterproof and durable, they do not fade even after many years; failed elements of the image can be painted over and corrected, which is impossible with other techniques.